Dramatic work can certainly be defined and studied as an abstract intellectual entity, or through the use – albeit temporary – of critical categories such as 'author' or 'genre', or again through a process of historicization. …. The topic of the “corpo teatrale” as a tool and requirement for empathy between the performer and the audience is now studied also in neurophysiology , after the discovery of the so called 'mirror neurons', by V.
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Bryn Mawr Classical Review: 2013.04.37